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Center For Actor Training
The very heart of Shakespeare & Company is its professional actor training. The aesthetic of the Company was created within the training devised by Tina Packer and the Master Teachers, and it is through these programs that the aesthetic is continually investigated, redefined, and reinvigorated.
Through the Center for Actor Training, Shakespeare & Company’s performance artists, education artists, and artist-managers develop a common artistic vocabulary and coherent approach to performing Shakespeare that provides a solid foundation for their work. Actors, directors, writers, and teachers from all over the world come to work with the Company’s faculty to train not only their voices and their bodies with a daily regimen of demanding classes, but also to delve deeply into their own imaginations, intellects, and emotional lives.
Shakespeare & Company’s curriculum is internationally recognized as a deeply effective training experience for actors who aspire to bring their talent, intuition, and spirit to a higher level.
Actor Training Programs
Summer Training Institute
Modeled after our internationally acclaimed Month-Long Intensive, the Summer Training Institute provides young actors the opportunity to immerse themselves in Shakespeare six days a week for four weeks during our summer performance season.
Month-Long Intensive
Create a new relationship with Shakespeare’s text, with yourself as an actor, and with your place in the world of theater during the Month-Long Intensive, the core of Shakespeare & Company’s training disciplines. All of the training devised to create the power and aesthetic of the Company is condensed into four weeks of fourteen-hour days which challenge, discombobulate and illuminate actors from all over the world who come to train here.
Weekend Intensive
The Weekend Intensives are designed to meet the needs of actors who seek an introduction to Shakespeare & Company’s training methods, and an opportunity to re-awaken and revitalize their relationship to Shakespeare’s text.
Specialized Workshops
The Center for Actor Training offers a variety of specialized workshops throughout the year exploring a full range of disciplines including rhetoric, wit, clown, fight, voice, movement, public speaking and more!
Meet the Faculty
Victoria Rhoades
Victoria Rhoades, PhD is an educator, actor and director, specializing in Shakespeare and girls’ and boys’ development. Tori is a senior faculty of Movement and Text in the Training Program and has worked for years in various areas of the Education Program. She currently serves as founder and Executive Director of the newly developing, SAGE Center, (Shakespeare, the Arts, Gender and Education). Tori strives to create spaces where young women and men can respectfully and playfully learn from, and alongside one another. Favorite regional theatre roles include Rosalind (As You Like It), The Governess (The Turn of the Screw), Carol (Oleanna), Charity (Summer), among others. Tori holds a Masters’ and PhD from NYU integrating the teaching pedagogy of Shakespeare & Company with the Relational Psychology work of Carol Gilligan. She holds a BS in theatre from Northwestern University. She has worked as a guest director at high schools and universities in the Northeast, and as founding Performing Arts Director at an innovative high school in Sonoma County, CA. She was a two-time recipient of artist grants from the Lotta M Crabtree Foundation, as well as a grant from the Massachusetts Cultural Council. She is a member of both Actors’ Equity Association and SAG-AFTRA. Her production of A Midsummer Nights’ Dream was awarded “Best Production” by the University of Pittsburgh Department of Theatre Arts. Tori is currently writing a piece for publication on creating “safe” learning spaces for young men and women to create, work and learn together.
From the Alumni
Halima Henderson
I’ve kept busy over the past year, and I have to say that weekend intensive has proven to be very effective! Everyone always asks about it when they see it on my resume and I love waxing poetically about it! Not only that, friendships that I made during my weekend have been long-lasting, I love running into folks at auditions more
Lulu Fogarty
My experience at the 2007 Summer Training Institute was absolutely priceless….I learned to bring a sense of play to everything I do. Play might be the most important tool for an actor but it’s surprising how quickly we forget to play because we try to be ‘right.’ There is no such thing as ‘right.’ To me, this is what the more
Jenna Hoff
All of the vocal and physical training we did enabled me to see how much freedom and availability are possible, which raised my expectations of myself. But for the first time I felt that I had the tools to move forward with those expectations. I can hone, clarify and broaden my Shakespeare monologues (and other pieces, too!), and I gained more
Maura Matarese
I attend at least one workshop at Shakespeare & Company each year as it always allows me an opportunity to grow as actor, to continue to free my actor’s instrument, to meet exciting new artists from around the world, and to spend time in an environment I love, with a faculty whom I deeply respect. more
Teresa Spencer
The most important thing I’ve taken from the Conservatory has been a sense of professionalism. I used to consistently walk into auditions feeling the terror of unpreparedness: even if I’d rehearsed my monologue or sides forwards and backwards, I would arrive at an audition and suddenly feel overtaken with a sense of not knowing what the hell I was doing, more
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Shakespeare & Company is a professional live theatre company in the heart of the Berkshires, presenting a vibrant summer performance season featuring the works of Shakespeare in repertory with classic and contemporary plays. The Company offers one of the most extensive actor training programs by a regional theatre in the country, and is also home to an award-winning and nationally recognized theatre-in-education program.