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	<title>Shakespeare &#38; Company BLOG &#187; Devil&#8217;s Advocate</title>
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	<description>Shakespeare performance, training and education in Lenox, MA</description>
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		<title>Devil&#8217;s Advocate now on stage! (Photos)</title>
		<link>http://www.shakespeare.org/blog/2009/07/devils-advocate-now-on-stage-photos/</link>
		<comments>http://www.shakespeare.org/blog/2009/07/devils-advocate-now-on-stage-photos/#comments</comments>
		<pubDate>Fri, 31 Jul 2009 16:30:56 +0000</pubDate>
		<dc:creator>Shakespeare &#38; Company</dc:creator>
				<category><![CDATA[2009-2010 Season]]></category>
		<category><![CDATA[Devil's Advocate]]></category>
		<category><![CDATA[Photos]]></category>
		<category><![CDATA[Dennis Krausnick]]></category>
		<category><![CDATA[Donald Freed]]></category>
		<category><![CDATA[ignatius anthony]]></category>
		<category><![CDATA[mercury theatre]]></category>

		<guid isPermaLink="false">http://www.shakespeare.org/blog/?p=1127</guid>
		<description><![CDATA[Devil&#8217;s Advocate is playwright Donald Freed&#8216;s account of Christmas Eve, 1989—during Manuel Noriega&#8217;s refuge in the Vatican embassy in Panama. The play, winner of the PEN Literary Award for Drama in 2006,  comes to Shakespeare &#38; Company as part of an artistic exchange with the Mercury Theatre Company in Colchester, UK. This boiling poltical dialogue [...]]]></description>
			<content:encoded><![CDATA[<p><strong><em>Devil&#8217;s Advocate</em></strong> is playwright <a title="Donald Freed" href="http://en.wikipedia.org/wiki/Donald_Freed" target="_blank">Donald Freed</a>&#8216;s account of Christmas Eve, 1989—during Manuel Noriega&#8217;s refuge in the Vatican embassy in Panama. The play, winner of the <a title="PEN" href="http://www.pen.org" target="_blank">PEN</a> <a title="PEN literary Award" href="http://www.pen.org/page.php/prmID/1351" target="_blank">Literary Award</a> for Drama in 2006,  comes to Shakespeare &amp; Company as part of an artistic exchange with the <a title="Mercury Theatre Company" href="http://www.mercurytheatre.co.uk" target="_blank">Mercury Theatre Company</a> in Colchester, UK. This boiling poltical dialogue is now on stage at the Bernstein Theatre—for just ten performances. Check out the photos below!</p>
<p><strong><em>Devil&#8217;s Advocate</em></strong> is directed by Dee Evans (MTC) and Clare Reidy (S&amp;Co), and features <a href="http://www.shakespeare.org/blog/tag/dennis-krausnick/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Dennis Krausnick">Dennis Krausnick</a> (S&amp;Co) and Ignatius Anthony (MTC). <a title="Buy tickets now" href="https://www.ovationtix.com/trs/pr/646335">Buy tickets now</a>.</p>

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		<title>Tina Packer on the Roundtable</title>
		<link>http://www.shakespeare.org/blog/2009/03/tina-packer-on-the-roundtable/</link>
		<comments>http://www.shakespeare.org/blog/2009/03/tina-packer-on-the-roundtable/#comments</comments>
		<pubDate>Wed, 18 Mar 2009 20:17:09 +0000</pubDate>
		<dc:creator>Shakespeare &#38; Company</dc:creator>
				<category><![CDATA[2009-2010 Season]]></category>
		<category><![CDATA[Cindy Bella]]></category>
		<category><![CDATA[Devil's Advocate]]></category>
		<category><![CDATA[Hamlet]]></category>
		<category><![CDATA[Les Liaisons Dangereuses]]></category>
		<category><![CDATA[Measure for Measure]]></category>
		<category><![CDATA[Pinter's Mirror]]></category>
		<category><![CDATA[Romeo & Juliet]]></category>
		<category><![CDATA[The Diva Series]]></category>
		<category><![CDATA[The Dreamer Examines His Pillow]]></category>
		<category><![CDATA[The Hound of the Baskervilles]]></category>
		<category><![CDATA[Toad of Toad Hall]]></category>
		<category><![CDATA[Twelfth Night]]></category>
		<category><![CDATA[White People]]></category>
		<category><![CDATA[joe donahue]]></category>
		<category><![CDATA[radio]]></category>
		<category><![CDATA[Roundtable]]></category>
		<category><![CDATA[Tina Packer]]></category>
		<category><![CDATA[WAMC]]></category>

		<guid isPermaLink="false">http://www.shakespeare.org/blog/?p=843</guid>
		<description><![CDATA[If you&#8217;re looking for something to tide you over before the new season begins, have a listen to this Roundtable interview with Artistic Director Tina Packer and Company actor Elizabeth Aspenlieder which aired a few weeks ago. Tina and Elizabeth discuss the upcoming season titles, returning to Shakespeare &#38; Company&#8217;s creative roots and Joe Donahue&#8217;s [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignleft" title="WAMC" src="http://www.nymediaartsmap.org/map/images/orglogos/70.gif" alt="" width="123" height="104" />If you&#8217;re looking for something to tide you over before the new season begins, have a listen to this <a href="http://www.shakespeare.org/blog/tag/roundtable/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Roundtable">Roundtable</a> interview with Artistic Director <a href="http://www.shakespeare.org/blog/tag/tina-packer/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Tina Packer">Tina Packer</a> and Company actor Elizabeth Aspenlieder which aired a few weeks ago.</p>
<p>Tina and Elizabeth discuss the upcoming season titles, returning to Shakespeare &amp; Company&#8217;s creative roots and Joe Donahue&#8217;s wish to be <a href="http://www.shakespeare.org/blog/tag/tina-packer/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Tina Packer">Tina Packer</a> when he grows up. Listen below or <a title="WAMC" href="http://www.publicbroadcasting.net/wamc/news.newsmain?action=article&amp;ARTICLE_ID=1476697" target="_blank">visit WAMC&#8217;s website</a>.</p>

]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<title>Play On! The 2009-2010 Season Announced</title>
		<link>http://www.shakespeare.org/blog/2009/03/play-on-the-2009-2010-season-announced/</link>
		<comments>http://www.shakespeare.org/blog/2009/03/play-on-the-2009-2010-season-announced/#comments</comments>
		<pubDate>Tue, 03 Mar 2009 05:00:11 +0000</pubDate>
		<dc:creator>Shakespeare &#38; Company</dc:creator>
				<category><![CDATA[2009-2010 Season]]></category>
		<category><![CDATA[Cindy Bella]]></category>
		<category><![CDATA[Devil's Advocate]]></category>
		<category><![CDATA[Hamlet]]></category>
		<category><![CDATA[Les Liaisons Dangereuses]]></category>
		<category><![CDATA[Measure for Measure]]></category>
		<category><![CDATA[Pinter's Mirror]]></category>
		<category><![CDATA[Romeo & Juliet]]></category>
		<category><![CDATA[The Diva Series]]></category>
		<category><![CDATA[The Dreamer Examines His Pillow]]></category>
		<category><![CDATA[The Hound of the Baskervilles]]></category>
		<category><![CDATA[Toad of Toad Hall]]></category>
		<category><![CDATA[Twelfth Night]]></category>
		<category><![CDATA[White People]]></category>
		<category><![CDATA[featured]]></category>
		<category><![CDATA[play on]]></category>
		<category><![CDATA[season announcement]]></category>

		<guid isPermaLink="false">http://www.shakespeare.org/blog/?p=773</guid>
		<description><![CDATA[Dear Friends, You will love what we have in store for 2009/2010. After planning 32 seasons, I can positively say this is the most daring, powerful, impassioned line up that we have ever brought to stage.  I turn the Artistic Director reins (or is it a whip?) over to Tony Simotes at the close of [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignleft size-full wp-image-799" title="play-on-season1" src="http://www.shakespeare.org/blog/wp-content/uploads/2009/03/play-on-season1.jpg" alt="play-on-season1" width="200" height="300" /></p>
<p><strong><em>Dear Friends,</em></strong></p>
<p>You will love what we have in store for 2009/2010. After planning 32 seasons, I can positively say this is the most daring, powerful, impassioned line up that we have ever brought to stage.  I turn the Artistic Director reins (or is it a whip?) over to Tony Simotes at the close of 2009, so I am especially keen in making this a thunderous season.</p>
<p>In the face of today’s economic climate, I am especially proud to say that Shakespeare &amp; Company is standing firm and fast on our mission to bring the raw power of Shakespeare’s language and important modern voices to more audiences and keep tickets affordable to everyone.</p>
<p><strong>EDIT: Tickets are now available for <a title="Buy Tickets Online" href="https://www.ovationtix.com/trs/cal/403" target="_blank">purchase online!</a> The Box Office will begin taking phone orders Thursdays and Fridays from 11am-5pm, beginning March 12th. Stay tuned to our website for further Box Office Hours. </strong></p>
<p><strong>(Shakespeare &amp; Company Members may purchase tickets over the phone this week—Thursday &amp; Friday only—by calling 413-637-1199 ext 305).</strong></p>
<p>This will be a season of ‘life laid bare’ and costs kept spare. Our shows will be simple, stripped down and sparingly beautiful, but we are doing more, performing more, playing more than ever before. Shakespeare &amp; Company is not shrinking back. We will <a href="http://www.shakespeare.org/blog/tag/play-on/" class="st_tag internal_tag" rel="tag" title="Posts tagged with play on">play on</a>! I hope you’ll be <a href="http://www.shakespeare.org/blog/tag/play-on/" class="st_tag internal_tag" rel="tag" title="Posts tagged with play on">play on</a> with us. Join us for Shakespeare, and new voices. Music, clowning and spontaneity across our meadow and stages. More dialogue, discovery and delight for all!</p>
<p><strong><a href="http://www.shakespeare.org/blog/tag/tina-packer/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Tina Packer">Tina Packer</a></strong><br />
<em>Founding Artistic Director</em></p>
<p><strong>Our 2009-2010 brochure will be hitting your mailbox within the next several weeks. Make sure your mailing address is up to date by logging into <a title="OvationTix Login" href="https://www.ovationtix.com/trs/cal/403">OvationTix</a> and clicking on &#8220;My Account&#8221;.<br />
</strong></p>
<p><span id="more-773"></span></p>
<h3><strong>In Founders&#8217; Theatre</strong></h3>
<h4><em>Hamlet</em></h4>
<p>By William Shakespeare<br />
Directed by Eleanor Holdridge<br />
Featuring Jason Asprey as Hamlet, <a href="http://www.shakespeare.org/blog/tag/tina-packer/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Tina Packer">Tina Packer</a> as Queen Gertrude, <a href="http://www.shakespeare.org/blog/tag/dennis-krausnick/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Dennis Krausnick">Dennis Krausnick</a> as Polonius</p>
<p>Shakespeare’s uncontested masterpiece played to packed houses in 2006, and returns for a limited run.</p>
<p><em>June 26-August 28</em></p>
<h4><em>Othello</em></h4>
<p>By William Shakespeare<br />
Directed by Tony Simotes<br />
Featuring John Douglas Thompson as Othello and Michael Hammond as Iago</p>
<p>The gut-wrenching story of love, racism and betrayal that’s as startling, relevant and timely today as when it first performed over 400 years ago returns.</p>
<p><em>July 3 – Sept. 6 </em></p>
<h4><em>Twelfth Night</em></h4>
<p>By William Shakespeare<br />
Directed by Jonathan Croy</p>
<p>Some comedies are born great. Some achieve greatness. Some have greatness thrust upon them. The laughs are back-to-back, tipsy-turvy and echo all through the house in Shakespeare’s festive holiday of misrule, madness, switched identities, gender bending and comic fantasy</p>
<p><em>July 25 – Sept. 5</em></p>
<h3><strong>In The Elayne P. Bernstein Theatre</strong></h3>
<h4><em>Romeo and Juliet</em></h4>
<p>By William Shakespeare<br />
Directed by Jonathan Croy</p>
<p>The story of family and gang rivalry and the treasure and tragedy of forbidden teenage love. A seamless, high energy, heart-pounding and soul-touching production that lays bare the best and worst of human spirit.</p>
<p>May 21 – June 7</p>
<h4><em>Pinter’s Mirror</em></h4>
<p>Three of Harold Pinter’s best one act plays: <strong><em>Family Voices, Victoria Station, A Slight Ache</em></strong><br />
Directed by Normi Noel<br />
Cast includes Elizabeth Ingram, Malcolm Ingram</p>
<p>Three brilliant one-act plays commemorating the darkly comedic insight of Harold Pinter. Performed by Elizabeth and Malcolm Ingram, a rare chance to see and hear exceptionally gifted actors breath life into Pinter’s taut language.</p>
<p><em>June 11- August 2</em></p>
<h4><em>Measure for Measure</em></h4>
<p>By William Shakespeare<br />
Directed by Dave Demke<br />
Performed by Performance Intern Program participants</p>
<p><strong>New this season! Lunch Box Shakespeare: </strong>Isabella, must choose between the death of her condemned brother or to give up her virginity to a corrupt politician who can commute the sentence. Written as a thinly veiled comedy about hypocrisy, corruption and sex for trade in high places, contemporary audiences than ever. A boxed lunch will be served prior to the performance.</p>
<p><em>July 10 – Sept. 5, 12:45pm<br />
</em></p>
<h4><em>The Devil’s Advocate</em></h4>
<p>By <a href="http://www.shakespeare.org/blog/tag/donald-freed/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Donald Freed">Donald Freed</a>, Winner of the PEN Literary Award for Drama, 2006<br />
Directed by Dee Evans<br />
With <a href="http://www.shakespeare.org/blog/tag/dennis-krausnick/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Dennis Krausnick">Dennis Krausnick</a> and Ignatius Anthony</p>
<p>On Christmas Eve, 1989, Panamanian strongman Manuel took refuge from American troops in the Vatican embassy. From that night comes a boiling political dialogue about the shadowy history of the American Empire.</p>
<p><em>July 30 – Aug. 16<br />
</em></p>
<h4><em>The Dreamer Examines His Pillow</em></h4>
<p>By John Patrick Shanley<br />
Directed by Tod Randolph<br />
Featuring John Douglas Thompson</p>
<p>John Patrick Shanley’s works have won the Academy Award, Pulitzer Prize, Tony Award, Drama Desk Award and critical acclaim everywhere. This rarely performed early work brings out his most biting comic sensibilities and words that lay bare the dreams of love and the realities of living.</p>
<p><em>Aug. 7 – Sept. 6</em></p>
<h4><em>White People</em></h4>
<p>By J.T. Rogers<br />
Directed by Anna Brownsted</p>
<p>What does it mean to be a white American? A brutally honest and surprisingly funny examination of race and language in our culture, White People tracks the lives of three ordinary Americans, and the guilt, prejudice, and the price they pay for being born white.</p>
<p><em>Aug. 21- Sept. 4</em></p>
<div style="padding: 10px; border: 1px solid #444;">
<h4>Diva Series</h4>
<p>A limited number of performances, dedicated to Elayne P. Bernstein who understands what the power of one woman’s spirit can accomplish.</p>
<h5><em><strong>Shirley Valentine</strong></em></h5>
<p>By Willy Russell<br />
Directed by Jenna Ware<br />
Featuring <a href="http://www.shakespeare.org/blog/tag/tina-packer/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Tina Packer">Tina Packer</a></p>
<p>Artistic Director <a href="http://www.shakespeare.org/blog/tag/tina-packer/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Tina Packer">Tina Packer</a> reprises her role as Shirley Valentine, the irrepressible anonymous woman next door who uncovers her independence and strength and salvages her own life.</p>
<p><em>May 27-May 31 and Sept. 11</em></p>
<h5><em><strong>The Actors Rehearse the Story of Charlotte Salomon</strong></em></h5>
<p>By David Bridel, Penny Kreitzer and Jonathan Rest<br />
Directed by Jonathan Rest<br />
Featuring Penny Kreitzer</p>
<p>An original play-within-a-play that tells the mother-daughter story, artistic journey and ultimate tragedy of Charlotte Salomon, an inspired young artist who was murdered by the Nazis, and left behind an amazing body of work.</p>
<p><em>June 3-June 14 and Sept 12 </em></p>
<h5><em><strong>Golda’s Balcony</strong></em></h5>
<p>By William Gibson<br />
Featuring Annette Miller as Golda Meir</p>
<p>Hailed by critics when premiered at Shakespeare &amp; Company in 2002, a beautiful and inspiring piece that brims with wisdom. The lioness mother who stood against history to create a free nation.</p>
<p><em>June 17-July 3 and Sept 13</em></div>
<h4><em>The Hound of the Baskervilles</em></h4>
<p>By Steven Canny and John Nicholson<br />
Directed by Tony Simotes<br />
American Premiere</p>
<p>A hoot. A howl. A Monty Python-like spoof in the best tradition of British beer hall comedy. Performed by three actors playing a multiple of roles, with multiple accents and quick-change beards, and stitched together by silliness and pratfalls.</p>
<p><em>Sept. 24 – Nov. 8</em></p>
<h4><em>Cindy Bella (or The Glass Slipper)</em></h4>
<p>Adapted from the classic <em>Cinderella</em> by Irina Brook<br />
Directed by Irina Brook<br />
World Premiere</p>
<p>A magically updated spin on the classic family folktale. Children of all ages will enjoy a contemporary, urban, romantic fairytale about a streetwise accordion player and the handsome cosmopolitan Prince who falls head over heels for her. <strong><em>Cindy Bella</em></strong> was presented as a work-in-progress last year, and now returns for its world premiere.</p>
<p><em>Dec. 3 – Dec. 20</em></p>
<h4><em>Les Liaisons Dangereuses </em></h4>
<p>By Christopher Hampton<br />
Directed by <a href="http://www.shakespeare.org/blog/tag/tina-packer/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Tina Packer">Tina Packer</a><br />
Featuring Elizabeth Aspenlieder</p>
<p>Devious plotting, sexual intrigue and motivations, <strong><em>Les Liaisons Dangereuses</em></strong> was ahead of its time in 1872, and remains ahead of its time today. A rich and deviously delightful feast of words and plot play, like a decadent chocolate you can’t resist.</p>
<p><em>Jan. 29 – March 14</em></p>
<h4><em>Studio Festival of Plays</em></h4>
<p>Founders’ Theatre<br />
$16 General Admission<br />
Festival pass to all five readings $70<br />
A day of five staged readings of plays that we think you should know about. Festival scripts that have gone on to critical acclaim include Golda’s Balcony, Wit and Martha Mitchell Calling.</p>
<p><em>Sept. 7, 11:30am – 11:30pm</em></p>
<h3><strong>Bankside Festival</strong></h3>
<p>Be Free!  Family Fun on the Rose Footprint Stage. Beginning June 20th, our grounds come to life with the color and swirl of Elizabethan dance, poets and clowns, and a host of spontaneous surprises.</p>
<h4><em>Toad of Toad Hall</em></h4>
<p>By. A. A. Milne<br />
Adapted from <em>The Wind in the Willows</em> by Kenneth Grahame<br />
Directed by Irina Brook<br />
FREE FAMILY-FRIENDLY FUN!</p>
<p>A musical play by A. A. Milne, based on Kenneth Grahame’s book <em>The Wind in the Willows</em>, the classic children’s story with the lovable characters Rat, Toad, Mole and Badger. Performed in two parts on different days.</p>
<p><em>June 20- Aug. 29</em></p>
<h4><em>The Declaration of Independence</em></h4>
<p>July 4 on the tented Rose Footprint at 3:00pm<br />
FREE! Reservations recommended</p>
<p>Hear the powerful words that gave birth to America delivered by cast members, friends and special guest speakers. Followed by a barbecue, picnicking, frisbee tossing in the Rose meadow, clowning and July 4th fun!</p>
<h4><em>Wordplay</em></h4>
<p>By <a href="http://www.shakespeare.org/blog/tag/dennis-krausnick/" class="st_tag internal_tag" rel="tag" title="Posts tagged with Dennis Krausnick">Dennis Krausnick</a><br />
Performed by our Performance Intern Program participants<br />
World Premiere<br />
FREE!</p>
<p>An outrageous splash of Shakespeare This fast-paced, funny performance offers bits of Shakespeare’s silliest and startling insults with a dash of fact, folklore, and surprise.</p>
<p><em>August 13-Sept 6</em></p>
<h4><em>FREE! Bankside Humanities Lecture Series</em></h4>
<p>Continuing the tradition of bringing conversation, dialogue and entertaining discoveries,<br />
six free lectures, covering topics from clowning to cooking, music to movies. Speakers, topics and dates will soon be announced.</p>
<h4><em>Preludes</em></h4>
<p>Period dances, combat displays, Shakespearean recitations, Elizabethan music and verse, and impromptus in preparation for the mainstage show.</p>
<p><em>June 26 – Sept. 6<br />
7:15 pm, prior to all Founders’ evening performances.</em></p>
<h3>Inspirational and Educational — New Ways to Engage, Explore, and Learn</h3>
<h4><em>Tuesday Talks@5pm<br />
</em></h4>
<p><strong>New this year! </strong>Lively conversations with our directors, cast members and guests speakers about what’s on stage; explore the plays with artists and scholars. <em>July 7 &#8211; August 25</em></p>
<h4><em>Behind the Scenes Tours</em></h4>
<p><strong>New this year! </strong>Pull the curtains back and see what happens backstage, in our costume shop and in the pre-production stages. A 45-minute tour that’s good for all ages. $6 each (four people $20).</p>
<p><em>Weds. and Sat. 10am, July 1-Sept. 5</em></p>
<h4><em>Spherical Sound</em></h4>
<p><strong>New this year!</strong> Be with us throughout the summer as resident Company composer Bill Barlcay periodically hosts an eclectic program of poetry, chamber music, slams and new, alternative music. $20 Reserved seating.<em> July 12th-August 23.</em></p>
<h3><strong>Special Events<br />
</strong></h3>
<h4><em>Will 445</em></h4>
<p>Celebrate Will Shakespeare’s 445th Birthday with us and help us shake the winter dust off the rafters and bring spring sun around. Music, food, fun and an varied program Shakespeare’s words. Elayne P. Bernstein Theatre. $18. <em>April 23, 2009.</em><em><br />
</em></p>
<h4><em>Revolutionary Moments</em></h4>
<p>Cast members will recount and replay pivotal moments and people in history as diverse as Thomas Jefferson and Nelson Mandela who were influenced by Shakespeare’s words. Elayne P. Bernstein Theatre, Studio 3. $20 general admission/$10 under age 25.<em> July 5th, 11am.<br />
</em></p>
<h4>Susan Quinn presents <em>Furious Improvisations</em></h4>
<p>A multi-media presentation by Susan Quinn, author of <em>Furious Improvisation</em>, a recent book about the WPA Federal Theatre Project, which moved American theatre leagues ahead with projects like Orson Welles Macbeth with an all black cast. Studio 1- Bernstein Theatre, Studio 1. $20 general admission/$10 under age 25. <em>August 23, 2pm </em></p>
<h4>Shakespeare &amp; Young Company</h4>
<p>Come applaud our Young Company actors in this special performance of Shakespeare&#8217;s works. Hear the words with fierce, fiery temperament, and our theatres echo with the unbridled passion for love, justice and hope, as only teenagers can know it.</p>
<p>$12 Adults / $8 Children.</p>
<p><em>May 9 &amp; 10, 7pm, Founders’ Theatre<br />
Aug. 19 &amp; Aug. 21, 5pm, Rose Footprint </em></p>
<h4><em>Cymbeline</em></h4>
<p>Based loosely on legends of an ancient Celtic King, a tale of seduction, courtly connivance and instigation, and the ultimate reunion of separated lovers. Presented by the Conservatory at Shakespeare &amp; Company. Founders’ Theatre. $14 Reserved Seating. <em>December 11 &amp; 12, 7:30pm.</em><em><br />
</em></p>
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